Allow me to present a brand new quarterly series "GearGAB". In this series, I am joined by Chris Gura from Drummers Guide 2 Gear @officialdg2g.
First product - Galaxy Drum Lights
Second product - Sweet Spot Clutches
Third Product - 78 Custom Drums
Welcome back to another episode of DrumGAB podcast. So in this episode, we wrap up the Sweet Spot Invasion Trilogy with Robert Michl, owner, and operator of Sweet Spot Clutches. This is actually not the first time that I have interviewed Rob. In fact, it is not even my second time. I have spoken to Rob on three separate occasions, including this interview. So, how is it that I have spoken to Rob so many times? Well, even though this marks episode thirteen, back last summer I tried to do a podcast and Rob was a guest. I did a total of six episodes in the summer of 2016 but I had them taken down this past fall and decided to reboot the podcast. So, that still doesn’t explain three times….it explains two of em’, but not three.
So back when DrumGAB first started, I was using a service called Spreaker (I explain this little story in the gag reel) and it sucked. I had to pay for it, I had to save every 30 minutes and if I forgot to save….I would lose it. So, I would imagine you are beginning to realize where that third interview comes into play. I still remember the moment when I realized that I would have to call Rob and tell him that I needed to redo part of the interview. Anyways, long story short, we did an interview last summer. But lemme tell you something, that interview would not hold a candle to this one. It is a much more developed company now, even in short time things have changed considerably and DrumGAB is beginning to turn into a much more developed podcast as well. The results of this interview are fantastic.
We begin by talking about the humble beginnings of Sweet Spot and how Rob was finding it tiresome dealing with the industry norm for hi-hat clutches and decided to make a difference about it and make his own. He had a lathe and knew what to do with it and the rest they say is history. One person tells another person and next thing you know Rob can’t keep up with making them himself and turns to a more serious manufacturing process.
Even though Rob is always thinking about what will be next in his line up of goodies, he also has some people that chip in too. We get to hear the story about how his lightsaber clutch came to be, how sometimes mistakes are are a good thing (the story behind the rat rod finish) and Rob even leaks his most diverse project yet!! The big picture with Rob is to diversify without straying too far from what he originally set out to do. He wants to be at the top of the food chain for the style of hardware he produces and I think that he has done just that.
Before I saw Sweet Spot, clutches and cymbal toppers were kind of all the same more or less. Some are definitely worse than others, but from a 50/50 shot, you can’t really tell much difference. What Rob has done is create something completely new and he has innovated more than once on these rather simple concepts. Between his wear sleeve that he provides with each clutch or the Fuzion clutch that can be altered with an adapter to put a splash or effects cymbal on top of your hi hats, there are many new ways to implement cymbal hardware into your existing setup. Plus, Sweet Spot really blings up your drums, which helps you stand apart from other people. All in all, I really like Rob and what he makes for the drumming community. He is a solid dude that is willing to help wherever he can and it is very much appreciated by all of us.
Instagram | @sweet_spot_clutches
Facebook | @SweetSpotClutches
Welcome back to another episode of DrumGAB podcast. This episode marks the second edition to our Sweet Spot Invasion series that we are doing on the show. SO…how did this one go? Well, put simply, I really like bro down episodes. I mean, they are as natural as can be and the experience simply flies by. This episode is that, in spades and it will definitely go down as one of those memorable episodes/nights for me.
So right off the top, no pun intended, we get into his Pimp Fang/Clutch series with Sweet Spot Clutches. Aaron and Rob have worked together to create some very distinguishable hardware. After we get the lowdown on how the Fangs and Pimp Fangs came about, we get into how Gavin Harrison and Gary Chaffee pretty much blew Aaron’s mind and changed his course with drums forever. Aaron can’t keep away from the weird stuff.
So Aaron has been running a YouTube account for six years and he is one of the grand daddy’s of online drum videos. So we talk about the process of building Aaron Edgar Drum and what made him decide to do that. Then Drumeo enters the picture. Aaron was the FIRST satellite instructor for Drumeo and to this day he still works with Drumeo on a weekly basis. Drumeo’s production edge taught Aaron how to make high-quality drum videos and perform live video sessions while interacting with the audience in real time. Hearing the story of how this all began with Drumeo is a great story.
So Aaron is known for his biblical Sonor collection. It is godly. I normally don’t discuss gear on this show, unless it is in fact about gear, but in this case we HAD to gab about gear. So Aaron tells us the story about how he found the Sonor sound and how he never looked back once he heard it firsthand. We learn about the “Jet Set” and how it was the most expensive wooden drum set ever created.
We then get into the Drum Fam Questionnaire. The questions for this week were…………..
Cameron Fleury - How long have you been making videos for and what is the most difficult part about gathering a fan base, especially considering how saturated the market is.
Robb Ryan - How has studying Gary Chaffee’s material changed your outlook on drumming and what do you do to make that material your own. Also….when in the hell is Third Ion coming to Hamilton or Toronto?
Mason Grant - What is your favourite practice routine to develop alternative foot/double kicks? Here is the link to the Modern Drummer article Aaron was talking about.
This is an epic podcast episode. I am very happy with how natural and comical this episode is. It does feature language that some may find unsuitable but regardless I feel that it was just on auto pilot the whole time. Aaron is a fantastic dude to talk to and he is a pure monster on the drums. Until next week, stay happy and stay drumming.
Instagram - @aaronedgardrum
Facebook - @AaronEdgarDrum
Youtube - Aaron Edgar Drum
Welcome back to another episode of DrumGAB podcast. Well, we made it over the ten episode hump with many lessons learned and lots of support from my friends and advocates of DrumGAB. I can begin to see the journey that is laying before me and it is up to me to fulfill it. Thank you all for your support with this project.
My guest this week is a fellow Ontarian and while we have some mutual friends….but we have never met or spoke until this interview. Well, all I can say is that Ryan is a really great human. I feel that he is at the apex of a major moment in his life. He is about to call it a day with his current HVAC career and turn drumming into a full-time gig. Not completely cold turkey, he did get his smart serve to have a little bit of insurance while he makes the brave transition. There is no doubt, he is definitely taking the plunge and I am so stoked for him. It takes guts to follow your passion. He has a good plan though and he is driven, so I believe he will succeed.
So in the beginning of the interview, Ryan discusses where he comes from as a drummer. It all started when Ryan’s father tried to teach drums to Ryan, however, he only wished to play with his toys and it wasn’t looking like Ryan was going to follow in his dad’s footsteps. Jump ahead a decade and Ryan begins to face some facts. Drums are cool. Ryan learned from his father until one day Ryan got a Jim Chapin DVD and changed their lives forever. It spawned the desire for them to get playing with better technique and ultimately Ryan discovered a whole new layer to drumming that opened his eyes wide open. Ryan has been receiving instruction with Aaron Edgar for about a year now and this has expanded Ryan’s vocabulary entirely.
Today, Ryan has a website www.claxtondrums.ca where he has drum cover videos, drum groove exercise videos and more. It is all executed with care and in particular, the exercise videos are explained incredibly well and are totally worth checking out! He is also playing in a metalcore band Lungless. In this podcast we have a special DrumGAB exclusive of Lungless’ brand new, never been heard track “The One and Only” and we also feature “To the Part of Me That’s Missing”, which they just released a video of. The link to that is at the bottom of the podcast notes.
We round out the podcast by talking about motivation and the way life ought to be. Ryan and I connected on a very deep level throughout this interview and we leave feeling very positive about both of our choices in life and where things are heading. It was a very cool interview that I won’t soon forget.
Welcome to another episode of DrumGAB podcast. Well over here at DrumGAB we have learned many lessons about troubleshooting technology, recording equipment and how to conduct an interview. I think it is fair to say that a lot of these major hiccups have since past us now that we are into our tenth episode. Of course there will always be plenty to learn and grow upon, however, the shaky beginnings of working on a new podcast project seem to be behind us now...and for that I am thankful.
So for our tenth episode, we are speaking with a very little known player from Atlanta, but if this guy starts to push himself into the right directions in the industry, he could be a giant. This is one of the most amazing things about Instagram and the drumming community. There is a ridiculous talent pool out there. It is incredible, to say the least. There are plenty of fantastic drummers out there that are simply waiting to be heard by the right people and Instagram can absolutely provide those opportunities.
So what do Justin and I discuss? Well, we start things off by discussing his background as a player. We go all the way back to the very beginning and then work our way all the way to the present. One notable thing about his growth as a player is his crazy work ethic through it all. He wanted to be the absolute best player that he could possibly be.
We also talk about some practice tips to increase efficiency, of practice time. He has a lot of good advice about how to maximize your retention levels and it actually pretty refreshing material that we discuss. He also talks about how to utilize rudiment patterns with different accents, note rates, and orchestration. This is also straight up up golden material, as far as I am concerned.
Towards the end of the interview, it becomes clear that Justin had not considered what he can do with this drumming thing, especially considering his talents. He wants to be a clinician, or bring his education to the online space and it could even go beyond that. The point to this section is that doing masterclass clinics around the world isn't just meant for drummers like Benny Greb and Ash Soan. Justin could also enter that world and you can tell that some light bulbs go off and that he felt very inspired towards the end of the interview.
Overall, this is a very in-depth interview that tackles a lot of valuable subject matter and it was an absolute pleasure having Justin on the show.
Welcome back to another episode of DrumGAB podcast. I think Hunter S. Thompson would enjoy Episode nine. I normally get to know my guests beforehand through private messages in order to find out what makes them tick. I did that with Ian and got to know him a little bit. After a while, he mentioned to me that he had some crazy stories to tell me if I wanted to go that route in the conversation. On this podcast, there aren't really limits to content I guess. What Ian told me was apparently watered down a bit, but that's kind of like watering down gasoline I think.
The first part of the interview is about Ian's time growing up in a highly musical family. His brother Eli can play pretty much anything and do it well and his mom and dad play several different instruments as well. We talk about our mutual interest in electronic music and we reflect on the lore of Aphex Twin.
The main part of this interview is the story of when Ian was in college. He and his girlfriend were heavily caught up with heavy drug use. Ian explains some of the things that happen to them during this time and how addictions lead to a lot of unfortunate situations. The things that he shares in this interview is pretty intense. I will leave out the details on the notes.
But Ian is clear of all of that now and the future is bright indeed. He and his band mate, Tony Grey, are releasing their new album. The music featured in this podcast is Ian and Tony's band Galactic Duo and the song is titled "Awaken". He has many great opportunities ahead of him I am certain as well, with his attitude and musical skill he will go very far. I wish him all the best.
In closing, Ian has many great opportunities ahead of him I am certain as well, with his attitude and musical skill he will go very far and I wish him all the best. It is remarkable that Ian is alive and well today, as you will soon discover. It is another testimonial regarding how drums bring good quality to life and that some of us truly live for the drums.
Welcome back to another episode of DrumGAB podcast. Episode eight is all about social media and personal networking. For anyone who is curious about how to properly grow an Instagram account, how to use Facebook to the fullest advantage, or what people are looking for with your content when you are being scouted, then this is definitely the episode for you.
Richy's story starts with a dream. A dream to perform in front of a sea of 20,000 people and actually make a living from it. He felt, even at seventeen, that it was important to avoid the 9-5 grind altogether. So how did he do it? He starts by moving out of Inland Empire and getting down to L.A. It was a make it or break it strategy. He received a scholarship for music and decided that he was going to take his drumming to the next level. After completing 2 years of a music program, he decided a third enrollment wasn't worth it for what he wanted to do in the music industry. He was learning plenty by asking questions and observing the pros and taking pages out of THEIR books.
Richy goes into great detail about creating YOUR brand. Whether that is a podcast, like DrumGAB, a drum manufacturing company or an artist page, there must be certain aspects of your content that have to be in check for it to benefit you. We talk about understanding Facebook boosting vs sponsored ads. Richy is a wealth of knowledge on how to utilize your social media.
It is clear that it means a lot to Richy to help his community. He throws down some hard facts about the state of musical education in L.A. It doesn't exist to children until they reach grade four. He shares a compelling story about this young girl that was living in a ghetto and he used to walk by her house and saw a drum set in the window. Eventually, he felt compelled to approach her mom about giving this girl lessons. Richy gave this 11-year-old girl lessons for almost nine months and it made a huge impact on her life. The outcome of these lessons inspired Richy to create Unik Education. It is a very positive initiative that Richy and his partner Marius create. The big picture is to get Unik Education in every school in L.A. I hope they reach their goal.
In closing, Richy explains that he wants to represent himself as a helpful and resourceful drummer. He wants to give back to people and let everyone know that you have a choice to pursue your dreams. You can play drums for the rest of your life if you want to and Richy wants to demonstrate how it is possible. Very inspiring conversation overall.
Welcome back to another episode of DrumGAB podcast. So episode seven turned out to be a very spontaneous episode. Every episode has a pretty clear path for how it will go but sometimes things go off in a totally different direction. When this happens and it is feeling good, it MAKES the episode. This is one of those interviews, I think. I had to figure out a different way to present the interview to include something that....just happened.
So the interview starts off discussing how Francois started playing the drums. Long story short, he bought a $50 drum set and with support from his parents and advice from his father, who also played drums, he began his journey. Eventually, he would become a student at Berklee College of Music in Boston, MA. In this segment, I ask him questions about his education background and certain benefits and deficits to attending such a prestigious music program.
In the second section of the interview, we get into some of the aspects of being a working drummer. How important is reading music? How does the scholastic advantage play into how employable and desirable you are for gigs. We get into a bit of detail on this. We also discuss his accolades. For example, in 2010 Francois won the PASIC International Drumset Competition for R&B/Funk/Gospel category. Quoted by David Garibaldi about Francois, "Solid timekeeper. Good facility and very ”loose” looking hands and feet. Really creative. He’s very good!" That's a pretty glorious statement. Nuff said.
The third phase deals with the loss of his father and how music and his family kept him on the right track, which in my opinion, highlights those achievements further. How this ties into how Francois was introduced to drums by his father and their relationship through the instrument is really touching stuff. It is very clear that he is a very focused person that carries his father's spirit with him. His dad always said, "Just go have fun".
Francois is also putting together a project, which I am stoked about. It is pretty clear that he is a fan of jazz/funk and likes to groove his ass off. Francois is a very smooth player. While going on a tangent about how I like the groove videos but that I am tired of chop videos. Then....we conclude the interview.
And then Francois asks me if I do the "Ketchup, Mustard thing", which alludes to the first interview that was wiped off my hard drive....I explain this in the intro. I tried doing this bit at the end called "Four off the Floor" and I decided to forgo this bit in the second interview. But then I try to say goodbye and see ya next week and then Francois says the nicest thing about DrumGAB and it got me going. I started getting introspective about why I do DrumGAB and my time developing it so far and how it adds a lot of value to my life. I become my own guest in a way and it is totally out of nowhere and it kind of turns into a confession about my time so far with this project and my thoughts about a clinic that I am trying to prepare for. Basically admitting that I have very little theoretical knowledge of the drums and how that presents a major challenge when performing a clinic. Then Francois suggests that it is important to let some of the theory go when it comes time to play music. I also suggest my thoughts on how I abstractly look at music and approach drums.
Then we conclude the episode.
Throughout this episode, I include "System" by Brotherly. Francois performs some incredibly tight and groovy drums on this track. There is some intense soloing towards the 3/4 mark in the interview.
Check out Francois' website
Welcome back to another episode of the DrumGAB podcast. It's only days away from Valentines' Day and ironically I interviewed Buddy Love from Love Custom Drums. Buddy and Steve make some beautiful kits and I don't think you can argue that. However, after speaking with Buddy, I am beginning to understand that this company is so much more than gorgeous drums. There is an overwhelming sense of...well....LOVE in this company.
In the beginning, Buddy modified his DW drum kits. He had multiple kits and did everything from reworking bearing edges and even wrapping a shell in skateboard grip tape. After a while, he wanted a kit with tube lugs and DW was not able to hook that up. So what did Buddy do? He took matters into his own hands and began building drums. There was a problem that was beginning to occur, though. Every time he built a kit, it would sell. He saw this as his opportunity to begin Love Custom Drums.
I ask Buddy a variety of questions regarding different wood shell construction. Ply vs Steam Bent vs Stave shells. It is interesting and educational what Buddy has to say about the different build techniques, which leads us into, my question as to why he feels the need to learn everything there is to learn about building drums. His response to this question is inspiring.
We discuss another prospect with Love Custom Drums..."Old Steel". What is "Old Steel"? Well, it is kind of a crazy story about the original idea and how it was turned into something so much greater than Buddy could have imagined. Buddy goes into explaining how he prefers metal drums over wood and how the gnarly patina is where it is at for Buddy.
Getting to the near end of the interview I thought it would be nice to talk about the late Johnny Craviotto and his fondness for him. This was Buddy's hero. He goes on to explain his encounters with Johnny and a special dinner invitation by Ronn Dunnett. A truly touching segment of the interview and it is just great to hear the level of respect that Buddy has for this true legend....plus we geek out about his 2002 DW Craviotto snare and my 2001 DW Craviotto snare...kinda cool that we both own this rare drum.
I then ask Buddy to reflect on the past two years and try to imagine where Love Custom Drums might be in two years. You cannot deny the huge amount of growth and level of interest in the brand and that they had a successful year. I wish the Love team all of the best and it was an absolute treat to speak with Buddy on this incredible little company.
Visit Love Custom Drums @ www.lcdcustomdrums.com
Welcome back to another episode of the DrumGAB podcast. This weeks’ guest is coming to us from Asbury Park, NJ. This episode will go down as one of those podcasts that you don’t forget. It is amazing to think that I can archive this recording and listen back to it years later. I know it would make me happy to remember this time that I recorded a podcast with Joey “Bones” Parasole. First and foremost, Joey is so filled with positivity. The vibe came blasting through my laptop and into my headphones. It was impossible not to have fun with this guy.
Joey had just arrived back home from Winter NAMM 2017, days before we spoke. His experiences while being there were still very fresh in his mind and so I opened up the conversation with asking about his time at NAMM. We discuss those damn sound police with their DB meters and how Ramy, from A&F Drum Co. could have been shut down. He reveals the three booths that he thought were major highlights of NAMM as well. I also ask Joey about being at NAMM as “Joey Bones”…..his answer is so candid and I love it.
When he arrived home from NAMM, what awaited him!? Oh, just a Predator Percussion stave snare drum!!! We talk about the level of service you can expect with Mike’s company. The process that Joey describes is the seal of approval for me on why we should ALL consider boutique brand drums if you want high end. There was just so much care and involvement between Mike and Joey when creating this drum. It is really inspiring to hear the story behind his drum.
Then there is the beard. Lemme say this much…..that boy can grow a god damn beard. I am super jelly about it and I only wish I had such capabilities in that regard. He goes on to express the common challenges with being a cable guy and having such an intrepid beard. The hot, sweaty, summer days where he must power through with courage in order to reach the ultimate goal of Wizard status. Honestly, this part alone is worth the price of admission. Pure jokes.
It’s no surprise that Joey is a pretty sensitive dude. I mean sure, he’s covered in ink, has a shaved head, and a monster beard that could eat you at will, but at the core, he’s all heart man. With that being said, I asked him about what it is like seeing his son take interest in drums and what it must be like to jam with him. It is hard to not be touched a little with this segment.
At the beginning of this podcast, we feature a song by Joey's band The Morgan Freemasons, "Dragonfly". We discuss who his bandmates are and the good times they seem to have together as a band. Make sure to check them out on Instagram @the_morgan_freemasons.
We then round things off with a tough question and some of you may even question why I asked him this. I ask him if Instagram hinders his life. I relate to him on this because let's be honest for a minute….if anyone had a video that eclipsed 100,000K….more than once, you can’t tell me that it wouldn’t give you a rush. Bigger accounts, like Joey’s, see a lot of action and so I had to know the scoop on how this plays into his daily life.
At the end of the interview, I feel that we discussed some interesting topics. If you read between the lines, it is clear that this episode focuses on what it is like to be an everyday guy who is becoming a celebrity within a specific online community. Think about it…….It is all done in the man’s basement with a GoPro, phone and computer. He then goes to California and is recognized by tons of people. He has scored endorsements, millions of views and a whole lot of love from our drumming community. What I think most people appreciate is how Joey is taking it all in and then he spreads it back out again. This is the sign of a true gentleman and I consider the guy a friend at this point. I hope that you enjoy this very exciting and natural episode of DrumGAB podcast.
Joey “Bones” Parasole endorses Love Custom Drums, Predator Percussion, and Zion Cymbals.
Welcome back to another episode of the DrumGAB podcast. This weeks’ guest, Tim Buell, speaks to us from Nashville, TN. Episode four is quite anecdotal. It spirals into several rabbit holes throughout the interview and for the most part is completely spontaneous. Like all interviews that I perform, I always have notes and questions prepared for each podcast, however, on this occasion, I referred to them twice.
Tim has such an interesting background with drums. The stories about his time in Belmont University are a definite highlight in this podcast episode. He studied under both Derico Watson and Chester Thompson, while at Belmont, among other teachers. Tim shares some of his experiences while studying with these two iconic players. In particular, the story about him and Chester is something you won’t want to miss.
Tim also elaborates on the fine balance of being yourself as an artist and “getting the job done” as a Nashville session musician. We go pretty deep here, to say the least, and I believe we uncover some really interesting points of view that perhaps you, the listener, might take into consideration when you enter a studio or a live musical setting.
Later on, we talk about the great Brian Blade. I don’t want to spoil anything here in the podcast notes but this story is the cherry on top with this episode. A close encounter with this magnificent drummer and how any great player can make any situation work for them.
Finally, we wanted to promote Tim’s new Ableton Live video series titled “Ableton For the Working Drummer”. This video series that Tim has produced focuses primarily on how to run tracks in Ableton. Up until now, there haven't really been any resources, according to Tim, on how to run tracks in Ableton so he wanted to remedy that. Catch the video series, it will launch today, 01/25/17 and he will have this available for a limited time before he will take it down for further refinement.
The track at the beginning of this episode is titled “Sides of the North” by Remedy Drive. Tim endorses Vic Firth and The Drum Wallet.
I hope you enjoy the anecdotal nature of this interview and please subscribe and leave a review, every little bit helps!!
Drummer on the Move. It is an aptly titled project for Marlon Williams, a.k.a. @williamssnare. Episode 3 of DrumGAB Podcast takes an in depth look at the man behind his videos on Instagram.
Marlon became a prominent Instagram drumming account when he started receiving shares by such acccounts as Grooveshare, Vic Firth, DrumGAB and many many more. Hundreds of thousands of views later and Marlon is still innovating and creating truly spectacular drum videos that have this spontaneous quality to them.
I have personally been a fan of @williamssnare since the summer and it has been on my agenda since then to talk to him about how he makes his videos, what inspires him, his growth since Drummer on the Move began, who the photographer is for all his videos and his background as a musician. We tackle all of that and then some in this podcast episode.
What is important to mention about Marlon is his passion for drums and life in general. He is such a humble and thankful person and it seems to me that he is surprised that his videos have received as much notoriety as they have. I think we can all take a page out of Marlon's book on life and apply it to our own.
I hope you enjoy this episode as much as I enjoyed making it with Marlon Williams, a.k.a. @williamssnare, a.k.a. Drummer on the Move.
Robb Ryan is a deep pool of knowledge. He will forget more than I will ever know about playing the drums. In this interview we go into every little nook and cranny about his past, present and future, uncovering a sprawling 30+ year career behind the kit.
Currently, Robb is a private drum teacher, recording artist, clinician, online educator, blog writer, father and husband. He explains that time management and knowing your goals is the key to balance a heavy workload with positive results. He is endorsed by Mapex Drums, Dream Cymbals, Los Cabos Drumsticks and Aquarian drum heads.
In the late spring last year Robb had developed Rhythmic Vocabulary (Instagram tag @rhythmicvocabulary). Under this moniker, Robb has written articles for Drumeo, 180Drums, theblackpage.net, Canadian Musician Magazine and the Los Cabos educational page. Also in April this year he will be appearing for his first time as a drum instructor for Drumeo in some recorded lessons! He also has some recording projects on the go with artists ranging from pop music, metal and even D&B. Hard to believe that in 9 months Robb has established himself so firmly in the drum industry, and this is only the beginning for Robb. While all of these successes have propelled him into some major canals in the drumming industry, he remains humble and courteous.
I asked about any records that he may have bought lately. He is currently listening to David Bowie's Black Star album (which comes highly recommended), Tower of Power, Galactic and Maggie Koerner.
Enjoy Episode 2 of DrumGAB Podcast!
Kenton Bell is a truly remarkable person. He has pledged his life to the drum/music industry since he was a teenager and has never looked back. Recently, on DrumGab's blog www.drumgab.com, we discussed his 20+ year career and while I discussed as much as possible in that blog article there was still more of Kenton to uncover and reveal, hence this podcast. A lot of what we discuss in this episode isn't even necessarily about drums, in fact a lot of it is not about drums at all. Sure, we discuss his company KentonDRUMS in some detail and his relationships in the drum industry, but the heart of this conversation is about his sacrifices in his personal life to keep this whole thing running. He also talks about chasing your dreams with thoughtfulness, discipline and consistency. I would say Kenton is one of the most insightful and "Guru-like" people I have met in my life, even considering his young age. Listen to this podcast to discover a very real and personal conversation about what it is like to be in "the biz" and some terrific insight on being heavily involved in the drum/music industry.